Fechinesque Portrait

Here's my latest dabblings with oil, attempting yet another portrait with the Zorn palette, and this time trying to emulate Fechin's way of markmaking. I think color-wise it's getting much better, but still a long ways to go, and slowly but surely my drawing problems are improving. And working with goopy, squishy, blendy oil paint is always fun, haha.

Later this week I'll update this, since we're going to be going back in to it with three additional colors added to the palette, so we'll see if the colors can be bumped to the next level and closer to full white light.

Master Copy - Fechin

Here's a painting I did today which is a copy of a painting by Nicolai Fechin. Lots of fun!

The main goal was to further understand the limited palette we're using in oil, which is titanium white, yellow ochre, cadmium red light, and ivory black. You can create pretty much every color out of those four, just the cools are relative and muted, so a lot of the color relies on the color that's around it.

This was a great exercise not only to understand the palette, but also understand how to mix color, as well as see subtle color variations and paint them. Learning to mix the right hue, right value, and right chroma and then putting down just one correct brush stroke where it needs to be is hugely important, and it's one of the secrets of making effortless looking work. Needless to say, I'll need a lot more practice!